-Bjorn ◾ Alex Tkachuk ◾ Caroline san ◾ Caroline Pierre ◾ Daphnée ◾ Denis-André Desjardins ◾ DS ◾ Evora Night ◾ honest truth ◾ Julien Desrosiers ◾ Melsa Monagne ◾ Nathanël Major ◾ Miss G ◾ Opia & Animaya + Whoroboros ◾ Ruisseau ◾ Stiie Boprie ◾ Svaï ◾ Valérie Labelle-Desmarais ◾ William Desjardins ◾  Willow ◾ Zoé Arte

DS

DS is first and foremost a puppeteer and professor of contemporary puppet theater. In her (hopefully not entirely) spare time, she invents all sorts of things: sewing, knitting, paper cutting, etc. Embroidery has long been a desire, probably long hindered by the association with floral patterns and other embellishments for rich clothing.

It is somewhat by chance that, inspired by a drawing by Egon Schiele, DS started her first embroidery, and even more randomly that this embroidery transformed through kinky additions. It looks like the beginning of something. Something stumbling, which seems indiscreet to reveal already, which is possibly the best time to do it, when everything is still possible and open.

EVORA NIGHT

Evora has been haunting the Montreal scene since 2016. First as a neo-bellydance dancer with Symbiosis and Royal T, she can rely on her strength and flexibility inherited from a past in gymnastics, circus, and martial arts. In love with darkness, she presents numbers combining fusion dance, burlesque, acrobatics, fire manipulation, and other luminous accessories.

As a proud representative of Montreal’s Kink community, she relies on fascination to reveal the dark corners of your imagination. She is also the co-organizer of the Spookylicious freakshow: the horror cabaret. Queen of the Obscure and the Sublime, Evora will enchant you with the delightful body paintings she paints with movements and impulses…

HONEST TRUTH

honest truth is a traitor who left art for marketing and then found their passion again for drawing in kinky arts. New to this and only really started sharing their kinky art recently.

They create what they always wanted to draw and hoped that you wanted to see. Usually, it’s in ink drawings but they sometimes paint in oils as well.

jULIEN DESROSIERS

Julien’s artistic journey began with a certification in special effects makeup from Studio Backstage. From there, he completed several private courses in photographic theory and photo editing. During this journey, Julien became interested in photographic techniques, especially the relationship with light. These learnings were consolidated by the photo editing expertise he developed over the past three years in the adult industry.

At the center of his photographic approach lies a marked interest in cinematographic codes. As a result, his works address the narrative aspect of the image. They tend to subvert stereotypes to illustrate scenes that we try to avoid. He works in collaboration with amateur models to whom he gives great freedom of movement. This freedom granted is part of a search for balance between reality and fiction.

MISS G

Technical designer by day and photographer by night, Miss G has a background in fashion design (DEC) and graphic design (AEC). Photography was initially imposed for work and became a true passion, then a creative outlet.

To master the techniques with her devices, she took a few courses in photography and studio photography (Cultural Workshops of UDM).

For a few years, Miss G has been a member of a photography club and has won a few photo contests. The interest in kinky photography came from her Master who saw potential in her and gradually directed her down this path. She loves to explore photography techniques and then let her creativity flow. What Miss G likes to photograph most is emotions and D/s dynamics.

OPIA & ANIMAYA + WHOROBOROS

Opia, Animaya, and Whoroboros have a love of puns and the absurd and turn to kink as a space for play and creative expression. Whether using tote bags as hoods, harmonicas as ball gags, sticks as sticks, or toying with broken human furniture, they’ve used this sphere for folly, and don’t take themselves too seriously.

Arguably a group of brats, many of their scenes and much of their fucktography playfully acknowledges and riffs on the social scripts of power exchange and kink.

We are proud they have accepted our invitation to participate, as we wish to acknowledge and support kinkartistic content creators.

VALÉRIE-LABELLE-DESMARAIS

Artistic practice refuses to take only one form but often revolves around the landscape and the fluid nature of memory. She paints abstract landscapes with beeswax and screenprints found photos that she has modified as if they were images of her own blurry memories. Valérie holds a Bachelor’s degree in Visual Arts from Université Laval (which is not located in Laval). This is the « serious » side of what I humbly call her art.

For the rest, Valérie has fun. Some people do Sudoku, she likes to do classical drawing, sing and write songs, sew corsets and strange costumes. She is too curious for her own good and doesn’t like having to choose. / Valérie participated in Kink Art 3 and returns for our greatest pleasure.

WILLIAM DESJARDINS

to come…

WILLOW

Willow is an artist and a curious explorer. Anarchist, without a budget, they explore the poetic and symbolic aspects of the body, sexuality and kink. Willow is a trained contemporary dancer but has discovered photography and video as
complementary mediums.

ZOE ARTE

Zoe is a visual arts teacher and have been researching the psychology of fantasies and alternative sexuality for several years. She has been interested in sexuality in art for a long time.

Zoe is inspiration by her own own experiences but also from their friends and the people I meet in dungeons. Her works reflect feelings, her kinks, and fetishes. 

Her favorite mediums are graphite drawing, watercolor, and photography.

GUESTS

The artists Melsa Montagne and Nathanaël Major have accepted our invitation to participate in the 4th edition of Kink Art by presenting a selection of works from their collections. We wish to express our gratitude.

mELSA MONTAGNE

Melsa Montagne is a visual artist who presents us with a series of anonymous portraits. Singular, invented, sensitive humans revealing their truths in the form of emotions. The artist has reached a level of ease and spontaneity in her gestures that now leads her to begin work through the path of abstraction.

Proceeding through pareidolia, she then identifies the expression of a face. Melsa reveals herself in an instinctive and expressive style. This technique leads her to build from accident. She thus avoids repetition and dares renewal.

Melsa has been developing a new approach since 2022. She creates sculptures representing her atypical characters and makes her subjects from various materials such as steel, plaster, fabric, and polyester resin. A new avenue that speaks deeply to her and respectfully coexists with her two-dimensional works.

Melsa lives and works in Montreal.

NATHANAEL MAJOR

The mirror of the soul, Nathanael, defines himself above all as a sculptor. He holds a wealth of knowledge with various materials. Metal has become his preferred medium for his works. This cold and rigid material inspires him.

With his unique way of hammering metal, he manages to create imposing sculptures. He brings forth disturbing and sensitive characters. Some forms on the material deliberately remain raw, stemming from a letting go; he likes to leave traces that tell the history of the work.

Other forms, worked more ardently, give remarkable finesse to the metal. Nathanael creates metal faces that could be described as strange, perhaps offering a feeling of unease in a form of ugliness. Others will be enchanted by the brilliance of beauty or emotions becoming messengers of the work itself. The mirror effect of the metal in the eyes of his sculptures exists to look inside oneself.

The artist creates works that lead us to reflect on ourselves. Narcissism and ego, values to meditate on how we see ourselves and what we want to reveal. Who are we really? Who do we want to be? Some will say that in this reflection, they perceive their soul. Looking at a work by Nathanael is to look at ourselves. His larger-than-life sculptures leave no one indifferent.